Tag Archives: Ann Patchett

“Memories are then replaced by different joys and sorrows, and unbelievably . . . you are positive that this is all you’ve ever wanted in the world.”

This novel makes us ask: which versions of our memories are to be believed? Is it really true that the protagonist has all that she’s ever wanted? Is she hiding something? From whom? I disagree with the reviewer who described … Continue reading

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“Putting together a novel is essentially putting together the lives of stranger I’m coming to know.”

As it turns out, writing nonfiction stories is not very different from writing fiction for Ann Patchett.  The title essay for this collection describes how she puts together an understanding of the life of the stranger who comes to stay … Continue reading

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Best Books of 2019: Five Favorites

Here are the five books I’ve recommended most frequently in 2019: Novel: It appears that Ann Patchett’s The Dutch House is on every “Best of 2019” list. What makes it so appealing? In addition to having likable, open-hearted characters in … Continue reading

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“There are a few times in life when you leap up and the past that you’d been standing on falls away behind you . . .”

Ann Patchett continues “…and the future you mean to land on is not yet in place, and for a moment you’re suspended, knowing nothing and no one, not even yourself.” This is the protagonist’s description of how his life as … Continue reading

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“The one that was accepted would then be rewritten ten times as I received round after round of notes.”

I believe that everyone who is contemplating making a living as a writer should read “Nonfiction, an Introduction,” a short essay in This Is the Story of a Happy Marriage. Ann Patchett describes being allowed to write one of ten … Continue reading

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Five Best Novels of 2016

The five novels that rose to the top of my 2016 list are: The best word to describe Elizabeth Strout’s My Name is Lucy Barton is exquisite. What I love about Strout is her ability to dive right in to … Continue reading

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“The christening party took a turn when Albert Cousins arrived with gin.”

I predict that this opening sentence of Ann Patchett’s new novel, Commonwealth, will become one of those classic opening sentences that creative writing instructors refer to when talking about creating tension right out of the gate.  Who is Albert Cousins?  … Continue reading

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“That was my mistake.”

Some memoirs resemble novels — they build a story with a beginning, a middle, and an ending. The challenge for the writer is to make it interesting for readers who already know the ending. In the case of Truth & … Continue reading

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