It’s been eight years since I last read this book, and this time around, I’m struck by Goldberg’s advice to pay attention to memorable, small pieces. In fact, one of the best ways to write about the “monumental” is to begin by describing one “crumb” of it. Other writers share this perspective. For example, Nabokov said, “Caress the divine details.” So, instead of writing about “ocean,” focus on tides or seaweed or salt. Instead of trust, honor, and patriotism, focus on bring cherries, clouds, and butter (237). Pounce on how it looked, smelled, tasted and felt. Make it real.
Goldberg, Natalie. Old Friend from Far Away: The Practice of Writing Memoir. Free Press, 2007, p. xx.