“Who would change a comfortable life . . . for the unknown trials of matrimony?”

A review of “Some Tame Gazelle” in 100 words by Catherine Stover

For a British novel that was published in 1950, the plot is surprising, and perhaps subversive: two unmarried sisters decline marriage proposals and live happily ever after. What! Why did they do that? Were the men were … Read More

“She had come to realize that the position of an unmarried, unattached, ageing woman is of not interest whatever to the writer of modern fiction.”

A review of “Quartet in Autumn” in 100 words by Catherine Stover

What should a moderately successful novelist, who didn’t engage readers during the social revolutions of the late 1960s and early 1970s, do to stage a come back? Explore trends? Update her plots? Become provocative? Barbara Pym declined these … Read More

“I’ve sometimes wondered whether novelists like to be remembered for what they’ve said or because they’ve said it in their own particular way – in their own distinctive voice.”

In 1978, the BBC invited Barbara Pym to be a guest on its program where well-known writers discussed their work. Her views on the “distinctive voice” of a writer was of particular interest: in the 1960s, her publisher declined her seventh novel because he said her style was “old fashioned.” … Read More

“Then she leaned over and bit him hard on the cheek.”

Even though this biography of novelist Barbara Pym was picked as a “Best Book of the Year 2021” by the London Times, the Guardian, and the Daily Telegraph, I was initially reluctant to read it. I didn’t want to learn things that would make me think less of … Read More

“One goes on living in the hopes of seeing another spring,” Daphne said with a rush of emotion.

When the London Review of Books called Barbara Pym “a brilliant comic writer,” they had scenes like this in mind. Here’s how Pym does it: First, emotion is expressed – not by someone beautiful and in love, but by Daphne, the lonely older sister of the vicar. She points … Read More

“For what could be more peculiar than a crowd of grown-up people . . . discussing scholarly niceties that meant nothing to most of the world?”

One of the things that I love about Barbara Pym’s novels is that her characters never set out to impress anyone. They acknowledge that their choices – for example, attending an academic conference as treatment for a broken heart – are eccentric. They’re vulnerable, interesting, and sometimes fooled by … Read More

“When his wife had been alive, he had hardly noticed Jessie Morrow; indeed, if possible, he had noticed her even less than he had noticed his wife.”

In a 1978 BBC radio program, Barbara Pym said, “Perhaps I’ve been influenced by something I was once told about Proust – that he was said to go over all his characters and make them worse.” I laughed when I heard this because Pym does have a way of … Read More

“Wasn’t it dreadful? I almost hoped somebody might stand up at the back of the church and forbid the marriage – like in Jane Eyre…”

The vicar’s wife continues, “…and expose John as an imposter. I wanted it to happen, and not only for Ianthe’s good.” Wow! What a confession! The vicar’s wife – who we thought should be friends with Ianthe – disapproved of her marriage to John. Why? She thought John was, … Read More

“Let me hasten to add that I am not at all like Jane Eyre, who must have given hope to so many plain women . . .nor have I ever thought of myself as being like her.”

When I read about “the unexpected joy of repeat experiences” during difficult times, I immediately thought of the pleasure I have in rereading novels by Barbara Pym.  Surely one of the ways we can cope with the stress of an international pandemic is to seek out the company of … Read More

“The room seemed suddenly very hot and I saw Mrs. Gray’s face rather too close to mine, her eyes wide open and penetrating, her teeth very small and pointed, her skin a smooth apricot colour.”

Why do some novels draw me back year after year, while others – perhaps even more worthy – do not? Maybe, as the NPR commentator noted, returning to books read multiple times is like having a drink with an old friend: a mixture of welcome familiarity and suspicion that … Read More

“The sentences would be like bright juggler’s balls, spinning through the air and being deftly caught and thrown up again.”

Or so Rhoda – the aunt in Barbara Pym’s Less Than Angels — thought would happen when “clever” people came to visit the family.  Instead, however, she found that the visitors’ sentences could be compared to “scrubbing-brushes, dish cloths, knives” which sometimes “fell to the ground with resounding thuds.”  … Read More

“I was unable to decide what it was that I found so irritating about her goodness.”

Wilmet, the main character in Barbara Pym’s novel A Glass of Blessings, after spending a frustrating afternoon with do-gooder Mary, observes that wicked people were often much more fun to be with. I believe that if Wilmet were a real person, she and I would be friends: she is … Read More